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Dugan Aguilar (Paiute/Maidu/Pit River) was born in
Susanville, California and educated at CSU-Fresno, where, in 1973, he
earned a degree in industrial technology and design, as well as the
distinction of becoming the first member of his family to graduate from
college. Later, he completed additional course work in photography,
at the University of Nevada, Reno.
Today, Aguilar—who works primarily
in black and white—is broadly acknowledged to be one of the nation's
foremost Native American photographers. Aguilar characterizes his work
as environmental portraiture and cites the photography of Ansel Adams
as an early influence. An exhibit of Adams' work shown in 1973 at the
California Palace of the Legion of Honor had a profound effect on Aguilar's
understanding of the medium of photography,
"I walked in and saw Adams' photograph of aspens, printed 30 by
40 inches. It was gorgeous from 50 feet away, and as you approached,
you felt like you were walking into the photograph. Up close, the whites
and shadows were so impressive. I decided to strive for being that kind
of printer."*
An equally important
and enduring source of artistic inspiration is the Indian world. Aguilar's
ability to produce imagery that simultaneously refracts both the beauty
of the natural world and his own Native heritage is just one basis for
his wide acclaim. Over the course of the last decade, he has increasingly
turned his attention to Native people, traditions, and art forms, producing
unparalleled portraits of contemporary California Indian veterans, dancers
and basket weavers that will be valued, for both their artistic sensitivity
and documentary eloquence, by many generations to come.
Aguilar has
a far more immediate goal for his portraiture; he wants "to show that
we as California Native people are alive and well." His art also brings
some very personal rewards: "I'm honored to have gained the trust of
the Indian community. Everyday I learn something new about my culture
and my people. It's a gift."*
Aguilar's work has been featured in numerous regional and national
shows, including recent exhibitions at the Crocker Art Museum and the
Wheelwright Museum in Santa Fe. A graphic artist for the Sacramento
Bee, his award-winning photography has also appeared in countless publications,
including News from Native California; The Dirt is Red Here: Art
and Poetry from Native California (Heyday Press 2002) and Deeper
than Gold: A Guide to Indian Life in the Sierra Region (forthcoming
from Heyday Press), with text by Brian Bibby and photographs by Dugan
Aguilar.
*excerpts from "Reflections of a People", by Victoria
Dalkey, Sacramento Bee (August 18, 2001).
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